The type is still editable, and not converted to outlines with a multicolored image placed inside, as you might have guessed. The word “FRENZY” above has individual letterforms with different colors going through them. You can use Paste Into to create cropped areas for editable type to live within, resulting in fun and seemingly complex typography without converting type to outlines. I then used the gradient feather tool again to create the gradient from the left side, making very quick work of a faux horizon line that gives the group of people in the design a “floor” to stand on. My gradient rectangle appears inside the new frame. I then selected that frame, cut it, drew another frame just a bit larger, and selected Edit > Paste Into. To create the effect, I made a rectangular frame, added a color, set transparency to Multiply, then used the gradient feather tool to create the gradient from the bottom of the rectangle, creating transparency where the floor “fades to nothing” at the bottom. This was done without ever opening the Effects panel in InDesign. Not only does that floor have a gradient at the bottom, but also an additional gradient to the left. In the above screenshot, you’ll notice a false horizon that has been added to create a “floor” for the knocked-out images of people to stand on. Here’s an example of where this can come in handy: Effects on effectsĪfter copying an object, or a group of objects, and “pasting into” a frame, you can apply any effect that you might apply to a normal frame: Drop shadows, inner shadows, and feathering, to name a few. Your group of objects will be placed inside your new frame, essentially cropping them to the bleed area, and making all your art stop where it should, precisely at the bleed area. Group them, cut them, then draw a new frame that sits precisely on the bleed area of your document and select Edit > Paste Into. In this case, that includes the spider webs and the light tan area behind the skewed type. The secret? Simply group all the frames that contain objects that rest on the pasteboard, beyond the bleed area. Here’s what it looks like without using the “paste into” feature in InDesign to keep things tidier: Here’s a look at a billboard design I recently worked on, with the bleed area shown. While there’s nothing technically wrong with this, it’s important to consider keeping your document as clean as you possibly can, much like Steve Jobs’ obsession with the quality of things that go unseen. 125” around all trim edges for a document intended to be printed). If the frames you’ve drawn in a document are rotated, it’s possible to end up with a pretty messy piece of art, with images or text that rest on the pasteboard, well outside of the bleed area of your document (typically. How is this different than using InDesign’s “place” feature (which allows you to place text or images into a frame), and why would you want to use it? Here are five examples: 1. You can create advanced visual effects in a frame by using InDesign’s “paste into” feature, which allows you to position a limitless number of elements inside a frame. Frames can be rectangles, ovals, hexagons – even a freehand shape. Your collection of frames and their content make up your entire page’s design. Those frames can contain anything including a color, a color gradient, an image, text, or table. If you’ve spent any time with Adobe InDesign, you know essentially every element you place or draw on a page is a frame of some sort.
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